Oh, please. Lois Lane’s writing sucks, I don’t believe she’s ever won a Pulitzer. Morrison gives the illusion of depth. Boo!
Final Crisis 7
February 23rd, 2009 - Respond
Final Crisis 6
February 23rd, 2009 - Respond
Huh? How did Superman get back? How did he know where to look for Batman? Batman equates a raygun against a god to a popgun?
Final Crisis 5
February 23rd, 2009 - Respond
Morrison may use a lot of scary language to make it all sound foreboding… it is still just a grim and gritty Super Powers.
Final Crisis 4
February 23rd, 2009 - Respond
It’s impossible to understand without reading the tie-in issues, yay. The scenes play like they all need more pages. A mess.
Superman Beyond 2
February 19th, 2009 - Respond
Morrison’s boundless enthusiasm for Superman helps, but it’s clear he’s shrinking three issues into one. Way too jumbled.
Superman Beyond 1
February 19th, 2009 - Respond
What? I’m sorry, I was distracted by the obvious Watchmen universe reference. Confusing, good-looking and generally okay.
Final Crisis 3
February 18th, 2009 - Respond
Not to be a jerk, but Morrison seems like he is aping a Warren Ellis idea here. Way too fast pacing; barely any full scenes.
Final Crisis 2
February 18th, 2009 - Respond
I know people love J.G. Jones, but I’m not particularly impressed. Give me J.H. Williams any time. It’s all intro, but okay.
Final Crisis 1
February 18th, 2009 - Respond
Blah. It feels confused and jumbled, which is probably the point. Why does the Question knowingly send the cop to his death?
All-Star Superman 12
October 3rd, 2008 - Respond
What is this? Foreboding instead of glorious, a quizzical misstep. Morrison dumps the mythic Superman for some reason.