Written with less historical authenticity than a DeMille picture. The art changeover hurts–Herman’s way too cartoonish for it.
Galveston 1
November 8th, 2008 - Respond
Station 4
November 6th, 2008 - Respond
Are you kidding me? It is hard to tell what’s more rushed, the writing or the art–and the art is lousy. An atrocious conclusion.
Station 3
October 6th, 2008 - Respond
The setting’s so indistinct the art needs to enrapture and it doesn’t. As for the mystery, it gets less interesting page by page.
Station 2
October 6th, 2008 - Respond
Art’s still bad–with pre-Renaissance perspective–and the writing’s badly paced and too thin, but it’s an okay read. A low okay.
Station 1
September 24th, 2008 - Respond
Questionable art (deformed heads) but Stokes’s writing is compelling. She even waits until the last few pages to reveal the hook.